About

Overview

My career has followed a consistent thread: storytelling, production, and people.I began in live, audience-facing work as a dance instructor, leading groups, breaking down complex ideas in real time, and designing experiences that kept people engaged and coming back. That early work shaped how I think about communication, clarity, and human connection — lessons that carried into everything that came after.From there, I moved into narrative media and post-production, where performance, tone, and editorial judgment became central to my work. Over time, that foundation expanded into game development, where I worked as an Audio Director shaping narrative tone, directing performance, and managing large volumes of content inside interactive production pipelines. That experience deepened my understanding of cross-disciplinary collaboration and how creative systems operate at scale.Alongside that, I’ve managed studio environments and creative production spaces, building workflows and supporting teams in fast-moving settings where both creative sensitivity and operational clarity are essential.Across all of these spaces — live programs, media production, game development, and studio leadership — the throughline has been helping creative ideas become real in a way that’s organized, thoughtful, and human-centered. Whether the environment is digital, physical, or somewhere in between, I focus on building processes that make good work possible.

Work

This is a look at the kinds of environments I’ve worked in and the roles I tend to play within them. My work often lives at the intersection of creative direction, production structure, and the systems that keep projects moving.

Narrative & Audio Production

Much of my career has centered on narrative media shaped through performance, tone, and editorial judgment. This includes directing voice work, defining tonal frameworks, and maintaining quality across large volumes of content in fast-moving production environments.In game development, I’ve worked as an Audio Director within interactive pipelines, collaborating closely with design and production teams to support storytelling at scale.

Visual Post & Color Work

Case Study: Löffler Online Shop Launch

I worked on a multi-month sprint supporting the launch of Löffler’s online shop, focusing on compositing and color grading product photography to accurately represent a wide range of fabric options. The goal was consistency, realism, and trust — ensuring customers could rely on the visual presentation of materials when shopping online.This work required careful attention to lighting continuity, texture, and color accuracy across large sets of product variations.

Studio & Production Leadership

I’ve spent years managing creative studio environments, overseeing scheduling, client sessions, technical operations, and team workflows. This role sits at the intersection of logistics, people management, and creative standards — making sure projects move smoothly from planning through delivery.This experience shaped how I think about production systems: good work depends on clear processes, healthy communication, and environments people can rely on.

Live & Community Work

Alongside media production, I’ve led live programs and built audience-driven environments. This includes facilitating group experiences, designing structured programs, and working in settings where engagement, clarity, and retention matter.This work deepened my understanding of how people learn, participate, and connect — something that informs how I approach collaboration and storytelling in every environment.

A Throughline

Across media, studios, games, and live spaces, the common thread in my work is helping creative ideas become real in a way that’s organized, thoughtful, and human-centered. Whether the setting is digital or physical, my role tends to be the same: support the vision, build the structure, and help the work move forward.

I collaborate on work that sits at the intersection of creative vision and structured execution.My background spans media production, post, studio environments, game development, and live programs. I’m often brought in when a project needs both creative sensitivity and the practical systems that help work move from concept to completion.That can look different depending on the setting, but typically includes:

Creative Production Leadership

Guiding projects from idea through delivery, aligning teams, timelines, and expectations while maintaining a clear creative direction.

Post-Production & Editorial Collaboration

Working in narrative and post environments where tone, pacing, and clarity matter, and where quality depends on thoughtful execution.

Workflow & Pipeline Development

Helping teams design processes that are organized, sustainable, and suited to the realities of their production environment.

Narrative & Performance Direction

Supporting storytelling through performance, tone, and editorial judgment across media and interactive projects.

Audience-Facing Programs & Facilitation

Leading live or community-based experiences where engagement, clarity, and human connection are central to the work.

If you’re building something that needs both creative understanding and a structured approach to execution, I’m happy to talk.